spring mittens

It is too warm for mittens. But I made some anyway.

I am determined to use up all the yarn I have by next fall, and this Jamieson and Smith's time was up. I made the Faroe Island Mittens from Folk Mittens by Marcia Lewandoski, and now I can see why this yarn is so highly recommended for colorwork, and particularly fair isle. Knitted images come out very crisp and clean, and for some reason the fabric was incredibly smooth - I hardly had to block them at all.

These are now packed up with the rest of the cold weather accessories. I'm trying to have some substantial work to show each Sunday. Right now I've turned back to lace.

finished!

My version of the Poetry in Stitches cardigan on page 122. I made it out of Morehouse Merino laceweight (3 skeins of natural black, and 5.5 skeins of the contrast color) on size US 1 needles. I lengthened it (a lot), made it symmetrical, followed Elizabeth Zimmermann's directions for a circular set-in sleeve (found in Knitting Workshop), and after using Dawn Brocco's beautiful sewn steek, realized that hooks and eyes weren't going to work, and sewed up the steek after all.

Although it was stiff and bumpy during knitting, after washing it became soft and acquired a beautiful drape. I neglected to include the neck border chart, and instead just picked up stitches up the body and around the neck, and finished with the picot border that was done on the hems of the body and sleeves.

The inside-out view. I originally wanted the main color to be the pink, and the contrast to be the black, but couldn't stomach the idea of having dead, black plants on a sweater. At least not when it's almost Spring.

all's well that ends well

Those beads did get sewn on, after all.

This is, of course, the "bridal cardigan" from Poetry in Stitches, although I've just come to think of it as my purple cardigan. The only major change I made was in my yarn. I used Morehouse Merino Farm's laceweight in three different colors; one skein of the dark blue, five skeins of the light blue, and six skeins of the purple. I also used 1.5 tubes of clear seed beads and I was very happy to discover the "big eye" needle, which will stretch to fit a strand of yarn, and then shrink to allow the bead to easily pass over.

What can I say except I'll never take it off?

how to love your knitting, part 1

(Note: for those of you who aren't interested in my babble, there are quite a few photos of new knitting projects interspersed with this entry. You can just scroll through and read the captions on them, if you prefer.)

One of the best parts about knitting is that one can make a garment to fit any size or shape. One of the worst parts is discovering that the pattern you want to make does not come in your size, is the wrong shape, or worse yet, calls for a yarn that you either can't afford or can not find. Perhaps the easiest way to get around this is to only knit patterns that you have designed yourself, but even the most talented designers sometimes just want to knit somebody else's pattern. And let's face it, if you find the perfect sweater, why re-invent the wheel?

The absolute easiest way to change a sweater's general size is by playing with the gauge. You do need to knit a swatch and measure, but it's very easy and totally worth the results. I find that there are two different scenarios when you find a sweater that needs its size tweaked: you either have yarn that you already have in mind, or do not yet have any yarn and are looking for which yarn to buy. I will discuss these in order:


You have yarn, you have a pattern, but the size is either too big or too small:

1. The Swatch.

I read a lot about people who say that swatches "lie", and that they don't bother knitting them because they are not an accurate representation of the sweater. I think this is because there are many misunderstandings about what you need to do with a swatch in order for it to work for you. I also have heard the explanation that a swatch "wastes" yarn, and that the knitter only has a limited amount. It is very easy to frog the swatch after you've made the pertinent measurements and re-use the yarn - trust me. After seeing me work my way through the ripped-out Crichton yarn, you know that I'm not one to waste a yard of yarn.

The first step with swatching is, obviously, to pick up some of the yarn you have chosen and a set of needles. Since the pattern's gauge is not going to matter to you, you get to choose any needles you want, so long as you like the fabric that they produce. Generally, you will want a needle that is about the same thickness as the yarn. If you are a loose knitter, you will need to go with a needle that is a little smaller than the yarn. If you're a tight knitter, you will need to go with a needle that is a little larger. Knit a few rows, and if the fabric looks bad, switch your needle size accordingly.

The second step to swatching is making sure that you swatch "in pattern". Usually this is stockinette, but if the sweater has a different stitch pattern (cabled, lace, etc.) you must knit your swatch in that. If it's a good pattern, it will tell you which stitch pattern they want you to swatch. It's generally whatever the majority of the sweater is knitted in.

Now, the knitting. This is where you need to be the most careful. You are going to want to cast on enough stitches to successfully measure your gauge. This is about 4 inches, or 10 centimeters. I know it seems boring, but it will go very quickly, and it's so much better than finishing an entire sweater and discovering that you will need to adopt an orangutan into your family so that it will fit someone.


There are also other advantages to swatching - here, you can see that I originally tried a cable pattern. I discovered that not only was the cable pattern given incorrect, but it really did not show off the yarn nicely at all. It was much easier to discover this after casting on 30 stitches, rather than discovering it after I had cast on enough for an entire body of a sweater.

Yuck.

During this step, you are also going to want to take note of how you are knitting - are you wrapping the yarn tightly, or letting it fall as it may? I was practicing my continental knitting (I am an English knitter, originally), and was careful to feel just how I was knitting. This is also another good reason to make a good-sized swatch. Not only does it allow you to "feel" your knitting, but it also gives a more accurate representation of how you will be knitting when you start your sweater. If you only knitted an inch-wide swatch, your knitting style would be much different than an entire sweater, since you would be knitting a little tighter in that small space.

In this swatch, I was using a cotton yarn with some elastic, and had to make sure I didn't tug the yarn too tightly in order to get a correct swatch. Blocking will take care of the small irregularities that are bound to happen. You'll be seeing more of this swatch in a later post.

Also important: if the sweater is knit circularly, you must knit your swatch circularly. You can do this on double-pointed needles, but my favorite trick is to take a circular needle, cast on enough stitches for your swatch, and work one row. Next, slide the knitting to the other end of the needle, take the working yarn and make a big loop (think a loop about a foot long - you absolutely do not want it too tight, since it will make your swatch buckle in on itself), bringing it up to the work and knitting the next row. Slide the swatch to the other side of the needle and do it again. By doing this, you're only knitting on the right side of the work, thus giving you a swatch that is representative of circular knitting.

The back will look something like this. It's crazy, but it works.

The final step with your swatch is also very important. After binding off, you are going to wash and dry your swatch in exactly the same method in which you will be washing and drying your sweater. Swatches can change dramatically during this step. I usually measure the swatch before I wash and dry it, and then afterwards, just so I can see the difference. I would suggest measuring it over two inches, and make sure that you measure right in the center, since your stitches will be the best there (don't count those edge stitches, they are always pulled out of shape and will give you a bad measurement). It is also helpful to measure before and after the wash, since while you're knitting it you may become a little panicked about the size, and if you compare your gauge at that moment to the original gauge, you can comfort yourself that the size will be correct after it is washed and dried. For my swatch, I soaked it in the sink in cold water with some baby shampoo, rinsed it, and let it dry flat. The wool grew and made my final gauge 10 stitches/2 inches and 14 rows/2 inches. After you have measured your real gauge from your washed and dried swatch, you will feel an overwhelming sense of satisfaction and pride. No longer will you knit the perfect sweater, only to clean it and discover that it has now grown in width and length - or worse yet, refuse to wash it at all.

These socks were knit from the same yarn, with the same needles, in the same week. The bottom one was washed and the top one was not. Their heels are lined up exactly - the size difference you see is entirely from being wetted and dried. They are the Buds and Blossoms socks designed by Katherine Misegades.

2. Your Gauge.

Now you have a fresh, beaming little swatch, and are almost ready to tackle the whole sweater. The final step is calculating your gauge. You've already measured your gauge from both your pre-washed and washed swatch. You are only going to bother right now with your washed swatch's gauge. Let's say that it is 10 stitches/2 inch. We divide that, and find that it is 5 stitches/1 inch. If you divide and find a fraction, make sure you use that fraction! The little bits can add up and really alter the size of your sweater.

Next, we look at the pattern. I used pattern #20, a cowl neck sweater, from the fall 2006 issue of Vogue Knitting. The pattern gives instructions for four different sizes, that range from a 34" bust to a 46" bust. This does not matter. The sizes and inches given are only for their gauge, and since we have our own, we can cheerfully ignore them. The only important information is the number of stitches given for the bust. This is usually about the same as the cast-on amount, and in this pattern it is equal to that amount. I converted this pattern to be knitted circularly, so the number of stitches I was casting on was the total amount for the body. As per the pattern, these are either 144, 160, 180, or 196 stitches. If your pattern is knitted flat, you will be adding up the number of stitches from the back and front, subtracting 4 as those are used in seaming, and then using the remaining number to calculate your size.

To find out which one of these cast-on amounts I needed to use, I took my gauge of 5 stitches to 1 inch and started to divide. The first cast-on amount would give me, with my gauge in my choice of yarn and needles, 28.8" (144 stitches / 5 stitches per inch = 28.8 inches). The second number gives me 32" (160 stitches / 5 stitches per inch = 32 inches). The third number would give me a 36" bust, and the final number would give a 39.2" bust. I chose the size that suited me the most, and cast on.

The beauty of this method is that now you do not have to worry about any more math, and the inevitable crossing out and re-writing of instructions that comes with it. You can cheerfully follow the instructions for the cast-on amount, and whether the pattern lists that as a small or an extra large, you can be confident that it's going to turn out to fit you beautifully. There is one small hiccup with this plan, and this is your row gauge. Many patterns will just tell you to knit for a certain amount of inches, but occasionally will tell you to work a decrease every 10th row, as this pattern did. To find out how many rows that would require you to knit, you will need to do just a tiny bit more math. This is what I do:

I need to decrease every 10 rows. What the pattern is really telling me is that I need to decrease over a certain amount of inches, but the designer has tried to be helpful and simplify it for me (it is amazing how many patterns, and particularly American ones, try to over-simplify and just make you more clueless). I take a look at the pattern's gauge, and see that this was written for a fabric that measures 4.25 stitches per inch, and 5.5 rows per inch. So really, 10 rows is 1.8 inches (10 rows / 5.5 rows per inch = 1.8 inches). I look at my row gauge, which is 7 rows per inch, and now calculate how many of MY rows would equal 1.8 inches. 7 rows x 1.8 inches = 12.6 rows. Since it's impossible to knit .6 of a row, I just round it up to 13 rows. Now I know that I really need to decrease every 13 rows, in order to have the waist shaping come out correctly.

If that confuses you, this is all you need to do:

1. Using THEIR gauge, find the number of rows per inch. (Generally a gauge is given over 4 inches, so you'll probably be dividing the numbers they give by 4.)

2. Look at the amount of rows that the pattern wants you to increase or decrease over.

3. Divide your answer from #2 by the answer from #1. (#2 / #1)

4. Take a breather. I didn't like math in school, either.

5. Look at YOUR row gauge per inch.

6. Multiply your answer from #3 by your answer from #5. (#3 x #5)

7. You're left with the number of rows that you're going to need to decrease or increase over. Cool, huh?

Is it worth it? I think so.

Cowl neck sweater from Vogue Knitting, Fall 2006. The yarn is Cascade 220, the Heathers collection. Every modification I used is listed above. It is my new favorite sweater.

You have a pattern, but the sizes aren't ideal. You still need to buy yarn.

You're going to love this method.

For example, I'm going to use the cardigan I'm making from Poetry in Stitches. The only sizes given are for a bust of 40 inches or 43 inches. I know right away that these sizes are not going to work for me, and that I'll need something much smaller. I tried to fool around with the design, but ultimately it was just too fiddly.

1. The Only Step.

Figure out what bust size you'd like best. You can do this by measuring around yourself and guessing at how much ease you want, or by measuring a sweater that you like. Look at how many stitches you will have on the needles at the bust (most likely about equal to the cast-on number). For this pattern, my choices are either 289 stitches or 309 stitches.

Either those 289 stitches or 309 stitches are going to give me a width of 36". It's just a matter of which one I'd like to pick. I divide 289 stitches by 36 inches and get 8 stitches/inch. 309 stitches divided by 36" gives me 8.5 stitches/inch. I now know that I'm going to want to find a yarn that gives me one of those gauges. As luck would have it, the Morehouse Merino laceweight yarn gives me exactly 8.5 stitches/inch, so all there was left to do was buy a whole bunch and dust off my needles. The same rules about row gauge apply, as detailed directly above the bold text. Beth had asked me if the Morehouse was a direct substitute, and I saw quite a few Google queries about it, so for those of you searching, please know that it is not going to give you the same gauge as the recommended yarn. In this case, though, it gives me a better gauge, and you may find the same.

Jen asked how to determine how much yarn you're going to use. After doing this a few times you'll have a good idea, and some yarn ball bands even tell you how much you need for a certain size sweater. If you need some help for now, though, check out this webpage in HTML or PDF format.

Two flower repeats in. I've finished the increasing and am now working straight to the armholes.

purple and blue

I'm not sure which came first, the knitted flowers or the ones outside my window.



The beginnings of a cardigan from Poetry In Stitches. I'm using three colors of Morehouse Merino's laceweight yarn, for a gauge of approximately 9.5 stitches per inch. More details when I have the time.

ho hum

This old thing again?



And, just for good measure, a picture of the original:




Sorry for the rotten pictures - it's still way too cold to go outside without a coat. But here it is, all knitted, sewed, cleaned, and dried. And it fits!


This is, of course, Snow Sky by Amy Swanson from the book Sweaters from Camp, for Rebekkah's knitalong. I modified the colors to Morehouse merino's two ply in chocolate and raspberry (yum). I worked out my own waist shaping, and changed the drop shoulders to set-in. I also added a v-neck. In the original pattern, the sleeves are done with crosses, but I liked them better in the same chart as the body, so I worked that out, too. There were a few blips - the body you see is the third attempt, as are the sleeves, and I had a steek unravel on me - but overall, an excellent learning experience.

While this was drying, I went on a mitten spree and made these. The gray ones are done in a simple baby cable pattern and are of my own design, and the orange ones are the Lopi mittens from Folk Mittens. The lone mitten at the bottom is the Turkey mitten, also from Folk Mittens. Its mate is about halfway done.These are made with the remnants of the Crichton cardigan - all Morehouse merino. The gray is charcoal, the white is the natural, the orange is persimmon, and the blue is periwinkle.

And, because it's been almost a year since I've done any lace, I picked up the book Victorian Lace Today. I really like the patterns, but I'm disappointed with the pictures. They're lovely, but they don't show as much detail of the lace that I would like. For a couple, it's difficult for me to understand which pattern goes with which shawl, too, which is unfortunate. It's still worth the money, though, in my opinion. I've begun the Stripes and Torchon lace in Rowan's Kidsilk Haze, using US 0 needles. I've learned that this is not a project I can work on without my glasses, and for me, it requires more attention than the colorwork I've been doing.

Isn't unblocked lace sad? I'm only doing three diamonds across, not five like the pattern says. I've got four repeats done so far, out of something like twenty. Luckily, it's getting easier the more I work on it.